Pencils are probably the second drawing medium
we are introduced to as children (crayons being the first) and
by many are thought of as “kids’ stuff”. But
no!
Pencils are responsive, sensitive coloured (even grey-scaled)
vessels that are extremely versatile and are worth far more respect
than they currently command.
To obtain the best results one must use quality materials. Pencils
are no different and the same must be said for the surface one
works on.
I work exclusively with Berol “Prismacolour” and Faber
Castell “Polychromos” coloured pencils. Their colours
are rich, soft and respond well when used on heavy, acid-free
papers and (Canson) pastel board. I prefer a coloured background,
especially earthy browns and deeper greys. Stronger colours make
the pencil shades “stand up”.
The beauty of working with two types of coloured pencils is in
the huge palette that one is presented with. I am particularly
impressed with the French Greys and ochre colours in the Berol
range and the warm greys of the Faber Castell range.
Working on Canson pastel board is just the best! The board is
Canson paper glued to mountboard and it’s acid-free, which
makes for a strong, but responsive surface to work on. It is very
forgiving especially when one makes a mistake and has to employ
an eraser.
You can apply the pencils in a cross-hatch manner or by laying
down single strokes. It sounds very time-consuming and in some
cases it is, but it’s a rewarding way of working with, and
showing respect for the medium.
I always commence my drawings by working out
my palette through test strips and laying out my pencils in a
manner to an operation! I draw up my work with (usually) a light
warm grey pencil, which is just visible and easy to “paint”
over or erase.
Always tape your work to a board and work “away” from
your drawing to avoid smudging (which on pastel board is minimal).
If you haven’t experienced painting with
pencils why not try it sometime!